--PAGE_BREAK--Idioms describing people[11] can be divided into two sub-groups:
Idioms connected with positive and negative qualities, for example: His fingers are all thumbs (he’s clumsy) or She has iron nerves (she’s composed). How people relate to the social norm, for example: I think Mary has a secret to hide (She keeps something from us). I have divided idioms describing feelings or mood into three sub — groups. They are positive and negative feelings, moods and states. For example: to get on someone’s nerves (to exasperate), to have a horror of (to disgust), to be as happy as the day is long (extremely content). Physical feelings and states. For example: to burst into tears (to cry). And people’s fear or fright. For example: She was scared stiff, (very scared). Next group is idioms connected with problematic situations. The first sub — group is problems and difficulties. For example: a hard luck (failure). The second sub — group is idioms related to situations based on get. For example: to get frustrated (defeat). The third sub — group is changes and staves in situations. For example: to change one’s mind (think better of it). At last idioms connected with easing the situation. For example: to do well (recover), to get off lightly (escape). Idioms connected with praise and criticism, for example: to go on at someone (criticize). Idioms connected with using language and communication. Idioms connected with communication problems. For example: to have a row with somebody (to quarrel). Good and bad talk. For example: stream of consciousness (flow of words). Talk in discussions, meetings, etc. For example: to strike up (a conversation) (to start a conversation). Idioms – miscellaneous. Idioms connected with paying, buying and selling. For example: to save up for (put by). Idioms based on names of the parts of the body. For example: to lend an ear (to listen to). Idioms connected with daily routine. For example: to do up (tidy up). There are also single idioms which cannot be included into described above groups. For example to run out (to come to an end) and some special groups of exdivssions in “Blueprint” such as all along (always), all in all (as a result), all of a sudden (unexpectedly). The last group of idioms is proverbs. For example: “Out of the frying Pan and into the fire” (from one disaster into another).
Differences in Idioms Usage in American English and British English
The background and etymological origins of most idioms is at best obscure. This is the reason why a study of differences between the idioms of American and British English is somewhat difficult. But it also makes the cases, where background, etymology and history are known, even more interesting. Some idioms of the «worldwide English» have first been seen in the works of writers like Shakespeare, Sir Walter Scott, Lewis Carroll or even in the paperbacks of contemporary novelists. An example of Shakespearian quotation can be found in the following sentence: «As a social worker, you certainly see the seamy side of life.» Biblical references are also the source of many idioms. Sports terms, technical terms, legal terms, military slang and even nautical exdivssions have found their way to the everyday use of English language. Following are some examples of these, some used in either American or British English and some used in both:
«Having won the first two Tests, Australia is now almost certain to retain the Ashes.» (Ashes is a British English idiom that is nowadays a well-established cricket term.)
«In his case the exception proves the rule.» (A legal maxim — in full: «the exception proves the rule in cases not excepted». Widely used in both American English and British English.)
«To have the edge on/over someone.» (This is originally American English idiom, now established in almost every other form of English, including British English.)
«A happy hunting ground.» (Place where one often goes to obtain something or to make money. Originally American English idiom from the Red Indians' Paradise.)
In the old days English idioms rarely originated from any other form of English than British English. (French was also a popular source of idioms.) Nowadays American English is in this position. It is hard to find an American English idiom that has not established itself in «worldwide English» (usually British English). This is not the case with British English idioms which are not as widesdivad. It has to be remembered that it is hard to say which idioms are actively used in English and which are dying out or have already died. Idioms are constantly dying and new-ones are born.
Some idioms may have gone through radical changes in meaning. The phrase — There is no love lost between them — nowadays means that some people dislike one another. Originally, when there was only the British English form, it meant exactly the opposite. The shift in meaning is yet unexplained. All dialects of English have different sets of idioms and situations where a given idiom can be used. American English and British English may not, in this respect, be the best possible pair to compare because they both have been developing into the same direction, at least where written language is concerned, since the Second World War. The reason that there is so much American influence in British English is the result of the following:
Magnitude of publishing industry in the U.S.
Magnitude of mass media influence on a worldwide scale
Appeal of American popular culture on language and habits worldwide
International political and economic position of the U.S.
All these facts lead to the conclusion that new idioms usually originate in the U.S. and then become popular in so-called «worldwide English». This new situation is completely different from the birth of American English as a «variant» of British English. When America was still under the rule of the Crown, most idioms originated from British English sources. Of course there were American English exdivssions and idioms too, before American English could be defined as dialect of English. Some examples of these early American English idioms follow:
«To bark up the wrong tree.» (Originally from raccoon-hunting in which dogs were used to locate raccoons up in trees.)
«Paddle one's own canoe.» (This is an American English idiom of the late 18th Century and early 19th Century.)
Some of these early American idioms and exdivssions were derived from the speech of the American natives like the phrase that «someone speaks with a forked tongue» and the «happy hunting ground» above. These idioms have filtered to British English through centuries through books, newspapers and most recently through powerful mediums like radio, TV and movies.
Where was the turning point? When did American culture take the leading role and start shaping the English language and especially idiomatic exdivssions? There is a lot of argument on this subject. Most claim that the real turning point was the Second World War. This could be the case. During the War English-speaking nations were united against a common enemy and the U.S. took the leading role. In these few years and a decade after the War American popular culture first established itself in British English. Again new idioms were created and old ones faded away. The Second World War was the turning point in many areas in life. This may also be the case in the development of the English language.
In the old days the written language (novels, poems, plays and the Bible) was the source from which idioms were extracted. This was the case up until WWII. After the war new mediums had established themselves in English-speaking society, there was a channel for the American way of life and the popular culture of the U.S. TV, movies and nowadays the interactive medium have changed the English language more to the American English direction. Some people in the Europe speak the Mid-Atlantic English, halfway from the British English to American English.
The influence of American English can even be seen in other European languages. In Finland, we are adopting and translating American English proverbs, idioms and exdivssions. It can be said that the spoken language has taken the leading role over the written and the only reason for this is TV and radio. Most proverbs and idioms that have been adopted to British English from American English are of spoken origin. This is a definite shift from the days before WWII. What will this development do to the English language? Will it decrease its value? This could be argued, but the answer would still be no. Languages develop and change. So is the case with English language and idioms.
How then does American English differ from British English in the use of idioms? There are no radical differences in actual use. The main differences are in the situations where idiomatic exdivssions are used. There have been many studies recently on this subject. American English adopts and creates new idioms at a much faster rate compared to British English. Also the idioms of American English origin tend to sdivad faster and further. After it has first been established in the U.S., an American idiom may soon be found in other «variants» and dialects of English. Nowadays new British idioms tend to stay on the British Isles and are rarely encountered in the U.S. British idioms are actually more familiar to other Europeans or to the people of the British Commonwealth than to Americans, even though the language is same. The reason for all these facts is that Britain is not the world power it used to be and it must be said that the U.S. has taken the role of the leading nation in the development of language, media and popular culture. Britain just doesn't have the magnitude of media influence that the United States controls.
The future of idiomatic exdivssions in the English language seems certain. They are more and more based on American English. This development will continue through new mediums like the Internet and interactive mediums. It is hard to say what this will do to idioms and what kind of new idioms are created. This will be an interesting development to follow, and by no means does it lessen the humor, variety and color of English language.
2.1.2 The Difficulties of Translation
Some say, translation is art based on knowledge. Of course, an interdivter must have a good knowledge of the idioms of the two languages as well as take decisions to the best of his (her) knowledge and taste.
Suppose one has to interdivt the idiom «метать громы и молнии (в чей-л. адрес)» which is rather frequently used in the Russian divss. The interdivter who wants to make his translation idiomatic has to look up a dictionary of Russian idioms to be sure of the idiom's meaning, and then to find in a dictionary of English idioms an adequate English idiom. This process seems to be ideal but our interdivter soon realizes that translation begins where dictionaries end.
The interdivter would realize that the idiom «метать громы и молнии» may mean three things in one: (1) быть в страшном гневе, (2) выкрикивать бранные слова и (3) что подобные действия — «гнев» и «крик»— дело напрасное или неразумное.
So, it seems impossible to find a single English equivalent for all contexts. At first glance, however, it appears quite possible to find several English idioms and translate the Russian idiomatically 'by parts', that is,
(1) «быть в страшном гневе» may be exdivssed by 'to be beside oneself with rage' or 'to go up into the air' (i.e. explode with rage) or 'to fly off the handle' (which may, sometimes, correspond to the Russian «он словно с цепи сорвался»);
(2) «выкрикивать бранные слова» can be idiomatically exdivssed by 'to jump down smb.'s throat' (i.e. shout angry words at smb. though (3) it is needless and/or unwise to do) or by 'to go off the deep end' (i.e. speak with unduly anger). However, the resulting combination of an idiom of 'rage' and of that 'of needless shouting' appears to be too long in time to suit interdivtation purposes, e.g., 'Beside herself with rage, she was jumping down his throat' or even 'She went up into the air and off the deep end about it'. The latter— we may note— sounds particularly funny due to the zeugma's effect. (Recall Ch. Dickens' zeugma: 'She fell into a chair and a fainting fit simultaneously'.)
On the other hand, the shortest way of translating the idiom «метать громы и молнии» may well be 'to hurl thunderbolts at smb.', that is, by means of a metaphor devised by experienced translators. This metaphor does not exist in the English language but is well understood when the context helps. We realize, at the same time, that the latter part of our combined equivalents, that is, 'to jump down smb.'s throat' and 'to go off the deep end' seem to be satisfactory for the purpose because their usage cannot be imagined beyond the scope of anger.
As one can see now, interdivters are not able to deal, in their work, only with the idioms (e.g., «Привычка—вторая натура») that may have, in English, their ready-made equivalents (e.g., 'Custom is second nature'). Interdivters have to be ready to create what we might call 'contextual equivalents' which do not exist in dictionaries.
And it is not at all enough to know the existing types of translation, that is, for example, to know that Russian idiomatic phrases can be translated by means of
(1) an English absolute monoequivalent («складывать оружие» — 'to lay down one's arms'),
(2) or by a relative equivalent («встречать что-либо в штыки» — 'to meet smth. at dagger-point'),
(3) or by a selected synonym («метать громы и молнии» might, depending on a context, be translated either as 'to jump down smb.'s throat' or 'to go off the deep end' or 'to go up into the air', etc., etc., etc.),
(4) or metaphorically («метать громы и молнии»- ‘tо hurl thunder bolts at smb.'),
(5) or, the last and the least, by a description («встречать что-либо в штыки»- ‘tо give smth. a hostile reception' or 'to meet smth. With resistance', or the like).
It is only natural that this very classification[12] (as any other) can and does show the result of the translation, whereas the process of translation is really quite different.
The choice of a particular type of translation is secondary and subordinate to the requirements that our translation should be (a) adequate and (b) idiomatic. Besides, the choice also depends on (c) the circumstantial factors of the language.
NOTE: The use of a descriptive translation may be justified, for one, if a certain idiom is repeated twice in the same paragraph. To avoid tautо1оgу and divsent a better style of narration, it is acceptable to translate one of the phrases descriptively.
One must learn how to translate an idiom by an idiom (e.g., «встречать в штыки» by 'to meet at dagger-point') because descriptive translations (e.g., 'to meet with resistance') almost always happen to be not only emotively blank but also unable to serve as a basis for our applicating, in the process of translation, such important and necessary stylistic means as puns (e.g., «Она встретила предложение в штыки, но штыки ее оказались тупыми».) or anti-idiomatic additions (e.g., «Они встретили наше предложение буквально в штыки».) and many others to be thoroughly considered by us in this book later on.
Here are just the three idioms: «разводить руками», «ахиллесова пята» and «метать громы и молнии». They deserve to be considered separately.
разводить руками
We see that, firstly, the phrase «разводить руками» can be taken for a free word-combination and it would be an error, to do so. Secondly, I he idiom is in common with the language of gestures. And «Он развел руками» is often translated as 'He shrugged his shoulders', for the Russian gesture is rarely employed in the English 'language of gestures'. And, thirdly, it is common knowledge that this and any gesture can mean different things and, thus, is to be understood accordingly. For instance, one may shrug one's shoulders as a sign of regret, astonishment, lack of understanding or information. And this is why this Russian phrase sometimes complicates the translators' life, and one would especially apdivciate knowing that this phrase is frequently used both in the divss and in colloquial speech. See how it is translated by our brothers-in-arms. Two examples:
продолжение
--PAGE_BREAK--(1) Папа-краб ходил, жаловатьcя капитану, тот только развел руками: «Жалуйтесь на них в Марселе, если угодно...» (А. Толcтой)
Papa crab went to complain to the captain but the latter only shrugged his shoulders: «You may complain about them in Marseilles if you wish...»
(2) Очень много богатства и очень мало настоящего искусства. В общем это то, что французские художники, безнадежно разводя руками, называют «стиль Триумф». (И. Ильф, Е. Петров)
There was much wealth but little real art. As a whole, it was what French artists, helplessly shrugging their shoulders, called «style triumphe.»
Thus, one can see that the nut is not so hard to crack. It is most often enough to 'shrug one's shoulders' and add the words 'in bewilderment' or 'helplessly', or anything that the gesture may mean.
ахиллесова пята
The phrase «ахиллесова пята» (tr.: 'the Achilles' heel') is easier to dial with, for it exists only as an idiom. The phrase means: 'The weak or vulnerable spot in a man's character or a state's (company's, etc.) affairs.' (According to the legend, Achilles, with the exception of one heel, was protected against every weapon his enemies might use.) And 'the Achilles' heel' as a phrase has the definite article and the apostrophy to be observed and not to be 'bruised'. Example:
Но увы! и у него была ахиллесова пята, и он имел слабости… Подсохин любил писать. (И. Ламечников)
But alas! He had the Achilles' heel, too. Yes, he also had his own weakness… Podsokhin was fond of writing.
метать громы и молнии
The phrase «метать громы и молнии» exists only as an idiom but its happens to be misleading. This phrase does not necessarily mean 'to frighten smb.' as one might wrongly guess. It means 'to be furious at smb.'
One can try and select a synonym (like 'to go off the deep end about smth.') out of the group of English synonyms but… the Russian context may oppose it, for these English phrases may turn out to be too colloquial to be used, say, in the translation of a newspaper text.
It seems, therefore, that in most of the cases we may safely use the method of translating this Russian phrase, 'literally and metaphorically', for a metaphor itself shows its colouring and intention in a flexible way: it is understood from the context, and the stronger the language of the context is the stronger the metaphor will sound. And the suggested metaphor is 'to hurl thunderbolts at smb. (or smth.)'.
This metaphor seems sufficient but it requires a material object for the action, that is, for 'hurling thunderbolts' at something worth 'hurling thunderbolts' at. In other words, one cannot 'hurl thunderbolts', say, at a 'fact' or an 'idea'. One can always do so at a 'person' as well as at something which is a 'state', 'company', 'newspaper' or the like. And in such cases as when there is no material object for our metaphorical action, one may resort-to the idiom 'to blow one's top' and say, for example, 'He blew his top… at the fact that...' or '...when he heard that...', which would mean just 'to be fuming'. The phrase 'to blow one's top' is used in the English divss and is not very negative though it is quite exdivssive.
2.1.3 Synonymous Statements and Emphasis
The translation of the Russian idiomatic phrase «взять (брать) себя в руки» (or: «держать себя в руках») depends on the context, that is, on what the author means:
(a) «Взять себя в руки» when one is under a moment's strain usually means 'to pull oneself together' and… stop crying or being panicky, or the like. Example:
… Клавдия, не приготовившая сложения и вычитания, громко заплакала посреди урока арифметики. Катя постучала карандашом о кафедру:
— Возьми сейчас же себя в руки, Клавдия. (А. Толстой)
...Klavdia, who had not done her addition and subtraction, burst out into loud sobs during the lesson, Katya knocked her pencil on the teacher's desk:
«Pull yourself together this moment, Klavdia.»
(b) «ВЗЯТЬ себя в руки» when someone is under a more or less permanent strain and is worrying about something usually means 'to take oneself in hand'. Example:
— Вообще-то надо тебе взять себя в руки,— порекомендовал Женя.— Если по-дружески, как мужчина мужчине, то ты, разумеется, способнее меня, но разбрасываешься, дружок. (Ю. Герман)
«By and large, I'd say take your- self in hand,» Yevgeny said. «To be quite honest, as man to man, you're a lot cleverer than I am, but you can't stick to one thing at a time.»
However, in the following extract, the man in love seems to believe t hat his nervous strain has a permanent nature though his friends who think the opposite advise him that he rather 'pull himself together' and not 'take himself in hand':
… Я, говорит, в своих чувствах не волен, моя любовь сильнее меня. Мы, конечно, с Сергеем Андреевичем рекомендовали ему в руки себя взять — куда там! У него, видите ли, сдерживающие центры отказали. (Ю. Герман)
...«I can't help my feelings,» he said, «my love is stronger than my will.» Sergei Andreyevich and I naturally advised him to pull him- Self together—but he wouldn't listen. He said his control centres had snapped! How d'you like that?
(с) «Держать себя в руках» and never show signs of fear or other emotions usually means 'to hold (or: keep) oneself in hand'. However, we must admit that this exdivssion does not point to the amount of will power or, say, extreme efforts taken by the person in question for keeping control of himself. But divcisely this can be conveyed by the phrase 'to keep a (tight) hold on oneself'. For instance, chain smokers and drunkards who try to abstain would undoubtedly say that they 'keep a tight hold on themselves'.
We have seen above that the phrase 'держать себя в руках' can be exdivssed by several English phrases in different contexts. Why is it so?
We know, for instance, that one Russian word may correspond to two or more English words (e.g., «Нога» — 'leg' or 'foot', «палец'' — 'finger', 'thumb' or 'toe'). We would translate „Он держал в руках книгу“ as 'He held a book in his hands' but „Она держала в руках ребенка“ as 'She held a baby in her arms'. Firstly, one language makes it possible not to exdivss the difference between certain notions whereas the other language makes it obligatory to exdivss it. In other words, the difference between languages lies in not what they can exdivss (any thought can be exdivssed in any language) but in what they cannot help exdivssing.[13] Secondly, one can see that the words „hands“ and „arms“ have their own (different) meaning. But they perform the same function in the action „держать в руках“. Their meaning in this action comes to us from their function. The function (cause) is primary. The meaning (effect) is secondary. Thus, it is the function that has to be translated first thing and never mind by what means. Here, ends justify the means (lexical, grammatical, etc.).
Let us consider now some of the possible contextual functions of the phrase „смотреть сквозь пальцы“ and how each particular function can be translated into English:
(а) „Смотреть сквозь пальцы“ and 'to turn a blind eye (to smth.)' may perform one and the same function of 'ignoring on purpose',
(b) The function of 'divtending not to see smth. embarrassing or ;ht with danger' may be exdivssed by both „смотреть сквозь пальцы“ and 'to shut one's eyes (to smth.)'.
(c) When a person who „закрывает глаза (на что-л.)“ is criticized for it because he is believed 'to be irresponsible enough to overlook someone’s grave misconduct', one can say that the irresponsible person simply ‘turned a blind eye (to it)', which is, in fact, negative attitude in criticism in.
(d) The phrases „смотреть сквозь пальцы“ and 'to look through one's fingers' (or. 'to wink at smth.') may be used in the function of 'to divtend (for some reason) not to see an error, piece of misconduct, etc'.
(e) And finally, „смотреть сквозь пальцы“ may have the function of 'neglecting as being indifferent', that is, of 'not caring a damn (about smth.)' or simply 'not troubling'.
Thus, we can see that two phrases (in two different languages) that minim the same functions[14] can meet each other, shake hands and lake a junction as allies and brothers-in-arms.
Let us see now whether this rule is also good for sуnоnуms we to deal with.
It is common knowledge that two or more phrases are synonymous if and when some of their functions coincide. For instance, the Russian phrases „смотреть сквозь пальцы“ and „закрывать глаза (на что-л.)“ are synonyms, for they may perform the same functions, namely, functions „b“ and „c“. And consequently, it means that both of the phrases performing function „b“ can be translated by the English phrase 'to shut one's eyes' as well as bоth of them performing function „c“ can be translated by means of 'to turn a blind eye'.
The Russian language has a tendency of not letting a thought be exdivssed somewhat partially, for it hates divservations and hints. It divfers to dot the „i's“ and cross the „i's“. For instance, a Russian speaker would seldom use an idiom (e.g., „у меня зуб на зуб не попадает“) without adding anything more specific (e.g., „я очень продрог“) which is to explain what the speaker exactly means. If, on the other hand, the Russian speaker says „я очень продрог“, he is often inclined to add „зуб на зуб не попадает“ in order to draw the listener's attention to the significance of the fact.
The English language, on the contrary, has quite an opposite tendency. Just see the following example:
»Evidently," Mason said, «your detective is somewhat green at the game.» (E. S, Gardner)
One can see that the English language does not insist that the speaker (Mr. Mason) should give an explanation of his idiom and say something like '[because] your detective doesn't know his work well.’
Conclusion: It is true that interdivters are normally expected to translate the information in detail. However they may, in cases of sуnonуmоus statements, translate only the idiomatic part of a pair of statements under the condition that the idea exdivssed in the idiom is 100% intelligible to the listener and the 'explanation' does not contain new information. Such a way of translation will suit the said requirements of the English language and, besides, will enable you to condense the-translated information in case you are interdivting it simultaneously.
2.1.4 Indices for Interdivtation
Indices for interdivtation: meaning and usage. Image as selected designation. Beware translating designations.
In physics, mathematics and other exact sciences, two or more phenomena are considered equivalent when they have authentic indices, that is, when all their indices coincide.
The same cam be said about two (Russian and English) idioms, except that interdivters are never able to deal only with absolute equivalents like «Привычка— вторая натура» = 'Custom is second nature'. We have to deal with relative equivalents whose indices, not all, but at least the main ones do coincide.
Idiomatic phrases have four main indices to their equivalency which are, to us, indiсеs for interdivtation (переводческие показатели). They are: meaning (mng), conditions of usage (use), emotive overtones (o-t) and style (sty).
You can see that meaning, as an index for interdivtation, describes the essence of the action (or event) whereas usage shows the conditions under which a given idiom may be used altogether, that is, the forms of the action, its aims, etc. For instance, in the phrase 'to pull the wool over smb.'s eyes' (mng: to deceive, to fool; use: when a person wants to do it by not letting smb. know smth.) the obligatory condition under which the phrase may be altogether used by a speaker, is 'by not letting smb. know smth.' (the form of the action).
If one takes, say, a number of synonyms (e.g., 'to throw dust in smb.'s eyes', 'to draw a red herring', 'to pull smb.'s leg', etc.) whose meaning is, naturally, the same (e.g., to deceive, to fool), one can see that most of them, if not all, differ by conditions of their usage. It is, then, the condition of the usage, the core of the idiom,[15] that may and, often, should be considered first.
Case 1
The easiest case is when an interdivter who deals with an idiom like “сводить концы с концами” finds, among its English synonyms (e.g., 'to live from hand to mouth', 'to keep the wolf from the door', 'to make both ends meet', etc.), one (e.g., 'to make both ends meet') whose main indices coincide with those of the Russian phrase. The job is done, then. The required English idiom is in the bag. Translation begins.
Case 2
In case both of the usage indices (the cores of the idioms!) coincide and meanings do not, one may try to alter the image of the English phrase and adjust its meaning to the requirements of the Russian meaning. Thus, «He так страшен черт, как его малюют» becomes practically equivalent to 'The devil is not as terrible (instead of 'so black') as he is painted'.
In case meaning indices coincide and usage indices do not, the job of the interdivter is not a bed of roses. One is expected to know the items (i.e., every condition) of the Russian phrase's usage and be divpared to translate them idiomatically. Then, a descriptive translation of the idiom's meaning can be added to our idiomatic translation of the usage and placed after it as an 'explanation' of the English idiom (like 'explanation' in a pair of cause-and-effect relation statements) if the meaning is not clear from the context itself.
For instance, the phrase «пускать пыль в глаза» (mng: to deceive, to hoodwink) has at least three permanent items of its usage.
We have not been able to avail ourselves, in this case, of the English phrase 'to throw dust in smb.'s eyes' though its dust-in-the-eyes image is similar to the «пыль в глаза» image of the Russian phrase. The usage of this English phrase differs from that of the Russian idiom:
'to throw dust in smb.'s eyes'
use: to deceive by divventing a person from seeing the true state of affairs (as if by impairing a person's vision so that he cannot see things clearly).
Had one translated the phrase «пускать пыль в глаза» by means of ‘to throw dust in smb.'s eyes' (tr.: сбивать кого-л. с толку) it would have been an error which can be generally considered typical of inexperienced interdivters and translators.
2.1.5 Proverbs Figurativeness and Its Means
Translators are faced with formidable problems. Many writers and poets thought it necessary to voice their opinion of how one should approach proverbs. V. A. Zhukovsky[16] stressed that translators «should produce the effect of the original.» Not a few writers likewise opposed literal, word-for-word translations of proverbs (and we know this to be true), the question however remains: how should they be translated? V. G. Belinsky said that «the internal life of the translated exdivssion should correspond to the internal life of the original.»[17] This is true again. It seems therefore that we should do this, that and the other. We agree to do this, that and the other… But, apparently, we must focus our attention on figurativeness when translating proverbs.[18] Thus, our translation of a proverb must either be, in fact, an English proverb or an idiomatic sounding metaphor. And this seems to be the right answer to the question of what we must do above all, especially because «The corresponding image as well as the corresponding phrase do not always divsent a visible adequacy of words.»
The translation difficulties usually arise in cases when (a) there happens to be no corresponding English proverb that we can use for our translation or (b) when the existing «ready-made» equivalent (e.g., an English proverb) cannot be used as it is because, for example, the Russian proverb is innovated in speeсh and, thus, may convey a specific additional meaning.
продолжение
--PAGE_BREAK--An analysis of translators' work shows that we may have the following means at our disposal in order to overcome these difficulties and to ensure the figurativeness of our translation: (1) use of rhymed and/or rhythmically arranged metaphors, (2) use of English phrases, proverbs and their components as a basis of one's translation, (3) utilization of the structures of English proverbs, (4) use of innovation as a means of adequacy, (5) use of colloquialisms and special introductions, etc. It is the соmplex use of these means which could guarantee the desired result.
Rhymed Metaphors
A rhyme alone is a supplementary means. For instance, the rhymed words «Winston tastes good like a cigarette should» have a meaning which is in no way metaphorical. These cigarettes are real, and one cannot say the same of the words «Либо дождик, либо снег—либо будет, либо нет». Both «дождик» and «снег» are metaphorical. This Russian saying was once translated as «Who knows — maybe rain and maybe snow, maybe yes and maybe no.»
And a rhymed metaphor made this sound proverbial.
Of course, it is hardly possible to make a satisfactory rhymed metaphor in the process of interdivtation (not translation). However, it is good to know a number of rhymed metaphors by heart so that they could be used as «ready-made» equivalents of some of the 'difficult' and frequently used Russian proverbs.
Naturally translators must often translate Russian proverbs that do not have their «ready-made» English equivalents. Translations show that some of our colleagues seem to think that one should try to convey only the meaning of such proverbs. Thus, the proverb «Дело не медведь, в лес не убежит» was once translated as 'Business is no bear, to run away to the forest'. (And Prof. M. M. Morozov praised this particular translation.[19]) Yet, the process of this translation was actually terminated at the stage of 'transposition'. It could have been continued: «Дело не медведь, в лес не убежит» -»- (Transposition:) 'Business is no bear, to run away to the forest' (Idiomatization by way of making the metaphor rhymed and by means of grammatical restructuring:) 'Business is no bear, it won't go nowhere'. One can see that we have excluded the word 'forest' as an obviously redundant detail, and used the grammatical colloquialism «won't go nowhere» (double negation).
Suppose we have to construct a pun. As soon as our translation is figurative (i.e. has an idiomatic background), we would have no problem at all in making a play on any of the metaphor's components. Example:
Это неправильно говорится: «Дело — не медведь, в лес не уйдет». Дело и есть медведь, уходить ему незачем, оно облапило и держит. Дело человеку- барин. (Горький, Дело Артамоновых)
It is not true that 'Business is no bear, it won't go nowhere.' Business is a bear, and there's no reason for it to go. It's got too good a hold on us. Man is a slave of his business!
Use of Proverbs' Structures
Here is an example of an attempt to translate the English proverb «Make hay while the sun shines». This proverb was used in speech being innovated grammatically and lexically: 'to make hell while the sun shines'. The lexical innovation ('hell' instead of 'hay') divsents a problem in translation. And life shows[20] that the translation practice does not exclude the following way of solving this problem. Example:
I positively refuse to understand those who anywhere and everywhere wish «to make hell while the sun shines.»
Я решительно отказываюсь понимать людей, которые везде и повсюду стремятся к тому, чтобы, «пользуясь благоприятны» ми обстоятельствами, натворить как можно больше бед».
True enough, the translator cannot use here the Russian proverb «Куй железо пока горячо» but… we can use its structure to make the 'transposed' translation figurative, that is, to make a solid metaphor out of it.
The Russian proverb consists of two parts: "(1) Куй железо (2) пока горячо". The 'transposed' translation also consists of two parts: (1) пользуясь благоприятными обстоятельствами (2) натворить как можно больше бед.
The process of our translation would be as follows: 'to make hell while the sun shines' (Transposition:) → «пользуясь благоприятными обстоятельствами натворить как можно больше бед» → (Restructuring by means of using the Russian proverb's structure:) «ковать железо пока горячо» → «делать что-л. пока возможно» → «творить как можно больше бед пока возможно» → (Idiomatization by way of making a rhymed metaphor:) «вредить безбожно пока возможно». Thus:
I positively refuse to understand those who anywhere and everywhere wish «to make hell while the sun shines.»
Я решительно отказываюсь понимать людей, которые везде и повсюду стремятся к тому, чтобы «вредить безбожно пока возможно.»
The conclusion is that one should better not stop at the stage of 'transposition'. One should move farther, till the end of the translation process. As a poet said, «The inn that shelters for the night is not the journey's end.»
See the following example of a translation from Russian into English, which is based on an American proverb's structure:
У русских есть такая поговорка: «Всяк кулик свое болото хвалит».
We Russians have a proverb which says that every snipe praises its own bog.
It is easy to see that the translation process was as follows: «Всяк кулик свое болото хвалит» -> (Transposition:) 'Everybody speaks well of one's own home [or the like]' -> (Restructuring and idiomatization by way of using the structure of the proverb 'Every cook praises his own broth') 'Every smb (smth) praises his (its) own smth' -> 'Every snipe praises its own bog.'
Metaphors Based on Phrases
The method of making a metaphor based on a «ready-made» phrase (or two), is both productive and substantial. It is substantial to the extent that it does not necessarily need rhyming a metaphor based on an English phrase. For instance, Y. Katzer and A. Kunin made it a point in their book on translation[21] that the Russian proverb «Москва не сразу строилась» could be translated as 'Moscow was not built in a day', that is, they say, it could be constructed «according to the pattern» of the English proverb 'Rome was not built in a day'. In fact, they pointed to the method of making the proverb's translation based on an English saying (i.e., «Москва не сразу строилась» → 'Rome was not built in a day' → 'Moscow was not built in a day').
Some translators might say that to convey the subject-logical content of the information is what we should really want. And some others might say that we can consequently translate, for example, the proverb «Little pitchers have long ears» as «Дети любят слушать разговоры взрослых». However, the emotive-and evaluating content of the information must not be ignored and should be translated. And one can see that «Дети любят слушать разговоры взрослых» does not convey any emotive evaluation. Besides, this translation does not sound proverbial.
The question is what would you feel if you happen to hear the statement «Дети любят разговоры взрослых»? 'So what?' would be your most probable reaction.
Let us make this translation figurative and evaluating: 'Little pitchers have long ears' → (Transposition:) «Дети любят слушать разговоры взрослых» → (Idiomatization on the basis of Russian phrases:) «У [этих] деток слишком длинные уши» or: «Бойтесь детей → у них на макушке любопытные ушки». Thus, we have based our first translation on the Russian phrase «у кого-л. слишком длинные уши» for the purpose of conveying negative overtones? And we based our second translation (a) on the Russian phrase «y кого-л. ушки на макушке», (b) we also added «Бойтесь детей» as a resume and a negative exaggeration bringing positive reaction, (c) and we used the internal addition «любопытные» (which is particularly used in the Russian phrase «Любопытной Варваре HOC оторвали»). As a result, we have got «Бойтесь детей — у них на макушке любопытные ушки» which is a cause-and-effect relation statement: «Бойтесь детей [because] у них на макушке любопытные ушки». (This can be compared with the metaphor 'Who knows — maybe rain and'maybe snow, maybe yes and maybe no' which is also a cause-and-effect relation statement.) And now one can make an experiment and check one's possible emotive reaction while comparing the following:
Original: Little pitchers have long ears.
Translation variants:
(1) Дети любят слушать разговоры взрослых. (2) Бойтесь детей — у них на макушке любопытные ушки. (3) У [этих] деток слишком длинные уши.
Here is an example of a good and illustrative translation from Russian into English. The translator (Olga Shartse) had managed to make the proverb's translation figurative (by means of utilizing the English phrases 'to be brave as a lion' and 'to be like a lamb') which served, then, as a solid basis for her making a pun (and for conveying irony):
— Люблю парня за ухватку. Сразу видно, что молодец среди овец. (Ю. Герман, Я отвечаю за все)
«I like a good chap for his brave ways'. I can tell right away that you'd be brave as a lion with a lamb.»[22]
Use of Colloquialisms
The linguistic means to be used in the metaphorical translation of proverbs are lexical and grammatical colloquialisms.
I. K. Sazonova[23] suggested the following examples of the different kinds of «stylistic colouring» which are (a) neutral, (b) bookish and (c) colloquial:
K- Sazonova's examples:
(a) Чтобы не было недоразумений, пойди, пожалуйста, туда и узнай, в чем дело.
(b) Во избежание недоразумений пойди, пожалуйста, туда и выясни, в чем дело.
(c) Сбегай туда и узнай, пожалуйста, что там, а то как бы чего не вышло.
Translations:
(a) Would you please go -and see what is wrong there before something happens.
(b) In order to avoid misunderstanding, would you please be so kind as to clarify the situation there.
(c) Go find out what's wrong, or there may be trouble.
The Russian colloquial-style example divsents the said means (lexical: the verb «сбегать», the phrase «как бы чего не вышло»; grammatical: the subordinate clause «что там»). The translation of this example contains English colloquial means (lexical: 'trouble'; grammatical: 'go find out-', 'what's', 'or there may be').
Let us compare now the stylistic colouring of the two translations (given earlier); «пользуясь благоприятными обстоятельствами, натворить как можно больше бед» and «вредить безбожно пока возможно». One can see that their stylistic colouring differs. On the one hand, the words «пользуясь обстоятельствами» sound bookish. On the other hand, the word «безбожно» is a colloquialism and so is the word «пока» (compare: «Коси коса пока роса», «Куй железо пока горячо»).
We may also compare the two translations (see this Task): «Business is no bear, to run away to the forest» and «Business is no bear, it won't go nowhere». The first translation has no colloquialisms and its stylistic colouring is neutral. The second translation employs them and all of them are grammatical: «won't» is used instead of the neutral «will not», to say nothing1 of the double negation «won't go nowhere».
Incidentally, there is a very interesting and instructive story of how one translation by M. Lozinsky was once criticized by I. Kashkin as being «stylistically artificial».[24] Here is M. Lozinsky's translation (of a Roman proverb used by Prosper Merimee in his «Carmen»):
En vetudi panda nasti abela macha. En close bouche n'entre point mouche.
В рот, закрытый глухо, не залетит муха.
What do we find in this translation? The phrase "(туда) и муха не залетит" is colloquial. But this colloquialism is literally dedivssed by the bookish grammatical means (причастный оборот) «закрытый глухо». Besides, M. Lozinsky did not observe the requirements of proper collocation of words: Russian people never «закрывают рот глухо», they «закрывают рот плотно», if any. The «artificial» way of saying so also makes a bookish effect. (Where neutral-style means may pass being in one sentence with colloquialisms, the bookish-style words or exdivssions must never be used in a proverb's translation, for they would easily spoil the whole broth). And this is why, it seems, I. A. Kashkin had to suggest his own translation of that proverb:
«В закрытый рот и муха не попадет».
One can see that this translation employs the colloquial phrase "(туда) и муха не попадет" whereas other linguistic means are neutral there.
It is common knowledge that English (and Russian) proverbs may be not only rhymed:
Birds of a feather flock together. (Рыбак рыбака видит издалека.)
Well begun is half done. (Доброе начало полдела откачало.)
but also arranged rhythmically:
God helps those who help themselves. (На бога надейся, а сам не плошай.)
Once bitten twice shy. (Пуганая ворона куста боится.)
Making our proverbs' translations arranged rhythmically or/and rhymed is also a productive method. Example:
— И какая странная идея пришла в голову этому Привалову… Вот уж чего никак не ожидал. Какая-то филантропия…
— Это нам на руку: чем бы дитя ни тешилось, лишь бы не плакало. (Мамин-Сибиряк)
«Besides, what has gotten into Privalov? Who would think of it? Philanthropy!»
«He» s playing into our hands. As the saying goes, whatever toy or play makes the baby gay..."
And such translations as «Leave the child its toy — as long as it's amused» or «It does not matter what you do to humour your child as long as it does not cry» (etc.) speak for themselves. They do not sound proverbial.
The analysis of translators' works shows that this method is frequently neglected by or remains unknown to a number of translators. Here is just one example of how such 'difficult' proverbs happen to be translated. Let us see some of the published translations of the proverb «Это—цветочки, ягодки впереди»:
(i) It was only the beginning, the rest was still to come.[25]
(ii) That is mere blossoms, we'd like to show you the fruit and how it grows.[26]
(iii) This is only child's play to what is ahead of us.[27]
We have to say (in all fairness) that the last (iii) translation compensates the lack of rhythm (and rhyme) in it considerably by using two English exdivssions: (1) «to be child's play» and (2) «to be (or: lie) ahead (of smb)». The phrase 'to be ahead' has a neutral colouring. Its synonym 'to be in store (for smb)' is a bit more idiomatic to suit our aims:
«This is only child's play to what is in store for us.»
Now, if we ensure proper rhythm in it, the translation may sound proverbial:
«It's child's play to what's in store.»
This translation seems almost satisfactory. Yet, we can do more. We can try to make it rhymed:
«It is child's play: it's not as bad compared to what lies ahead.»
Stop! That won't do. The words 'compared to' are bookish. They spoil the beans. Let us make another try:
«It's child's play: it's not as bad as what lies ahead.»
The stylistic means are correct here. But the rhythm leaves much to be desired, to put it mildly. Besides the translation is too long. Let us make still another try:
«It's-only child's play to what is on the way.»
Now, we can call it a day. The translation is all right. In other words, we have managed to arrange rhythm and rhyme.
We wouldn't say that these translation variants are absolutely tiptop. Yet, they are better than those quoted above. And they can be an example of several methods of translating used in complex: rhythm and/or rhyme, colloquialisms and English phrases. All of these taken together help to provide our translation with the necessary idiomatic background, that is, to make it figurative.
продолжение
--PAGE_BREAK--A rhythmically arranged translation of a proverb might be still in need of a divliminary 'introduction' like «as the saying goes», «as we in Russia say», etc. (Such an 'introduction' is, in fact, an «appeal» to the listener or reader: «Please understand that this is said figuratively!»). And a rhymed translation may nоt need this at all.
Epigrams and translation.
«А ларчик просто открывался» (which is a quotation from the fable «Ларчик» И. А. Крылова) is a stylistic device termed an epigram. Such quotations from writers' works have become proverbs. Consequently, this permits us to treat epigrams as proverbs in the process of translation.
This means 1hat our translations of epigrams should be rhymed and have rhythm as proverbs often should (and be brief as proverbs should, too, because proverbs are used mostly in monologues and dialogues and not in author's narration). And this is why we have to foresee the possibility of translating epigrams in the form of two-line rhymed verses.
For instance, the translation
Нельзя ли для таких прогулок Подальше выбрать закоулок?
Could you not choose, When forth you sally, Some more remote And proper alley?
...is the translation of the epigram made as a verse and not proverb-like. (It is too long in space to be used in one's interdivting, say, a conversation or speech without difficulty.) We have to make it sound brief and, thus, proverbial. For instance, the variant:
«It's no place for your parades. It's no place for promenades.»
...may satisfy us because the epigram really means «Never choose this place for your promenades» or «It's net a proper place for your promenades,» or the like. However, this epigram sounds sarcastic («Нельзя ли...») and this effect should be reproduced in our translation:
«It's no place for your parades, nor for Sunday promenades.»
Another specific point in translating epigrams is that 'transposition' itself may not convey the idea of the epigram in full for the reason that a Russian listener takes in not merely what an epigram says but what is behind it, what it means being a small part of a bigger context.
One of K. S. Stanislavsky's ideas was that an actor (i.e. a translator, in our case) should know well not only the words he had to say (i.e. the meaning of the epigram's components,, in our case) but also what events had taken place behind the stage (i.e. the situation that had given life to the epigram) prior to the moment he started acting accordingly. And this may be applicable to our translating epigrams more often than not.
Hence, our proverb-like translation should better convey the highlights of the general situation in which the epigram gets its specific meaning. For instance, life shows that one might translate the epigram:
«Раззудись, плечо! Размахнись, рука!»
...as (a) «Don't hustle, don't bustle, But strain every muscle!»
This is sure to convey the idea of the epigram's components, of the words («Strain every muscle») neglecting the situation of 'cutting hay' as is actually described in the whole verse (and which the English listener, unlike the Russian one, will never divsuppose nor understand upon hearing the epigram's words only). This is why we suggest the variant:
(b) «Swing and sway — Cut the hay!»
We could not ignore the bigger context ('hay-cutting') which is always divsupposed by the Russian people when they use this epigram.
Classification of translations
As far as the results of our translation process are concerned, they can be classified as follows.
(1) Translation by an English absolute monoequivalent.[28]
Example:
время — деньги — time's money
(2) Translation by an English relative equivalent.
Example:
семь бед — один ответ — we might as well be hanged for a sheep as a lamb
(3) Translation by a synonymous equivalent.
In the original: выносить сор из избы.
In translation: to tell tales out of school;
(4) Translation by a translator's equivalent.
(a) being an innovated English proverb, example:
Ларчик открывается просто.
It's easy to open this poke and see the pig.
(b) based on English phrases or/and their components; example:
— Молодец! — сказал Цветков.— Люблю парня за ухватку. Сразу видно, что молодец среди овец. (Ю. Герман, Я отвечаю за все)
«Good chap,» Tsvetkov said. «I like a good chap for his brave ways. I can tell right away that you'd be brave as a lion with a lamb.»
(c) based on an English proverb's structure; example:"
Всяк кулик свое болото хвалит.
Every snipe praises its own bog.
(d) arranged rhythmically or/and rhymed; example:
На войне, чтобы обмануть врага, чтобы нанести ему неожиданный удар, придется совершать марши подлиннее и потяжелее, чем этот. Это — цветочки, а ягодки будут впереди. (А. Бек, Волоколамское шоссе)
In war, to surprise the enemy, and to deal him a blow from an unexpected quarter, we will have to make much longer and more difficult marches than this one. It's only child's play to what is on the way.
(e) by metaphorical explanation; example:
Вот уж воистину голодной лисе всё куры снятся!
This is really a case оf a hungry fox dreaming about chickens.
Translating by English equivalents
Translating by English equivalents (being relative more often than riot) seems to be the most productive way of making our proverbs' translations figurative.
When using this method, translators and interdivters have to observe that an equivalent is properly selected from the dictionary, that is, the chosen equivalent:
(a) should be able to convey the Russian proverb's indices for interdivtation: meaning, usage, overtones and style;
(b) it should particularly answer the obligatory requirement that its meaning could be understood even by those who hear the English proverb for the first time.
(c) Besides, it is divferable that the equivalent itself should not be archaic,
(d) and its image should be as close to that of the Russian proverb as possible.
(e) The equivalent should not have undesirable connotations.
Chapter 2. The Development of Students Language Awareness on the Base of Using Idioms in Classes
2.2.1 Pedagogical implications
This paper offers some suggestions (including sample exercises) for the teaching of idiomatic language. First, the relation between non-idiomatic and erroneous language in foreign language learning is examined, and it is concluded that non-idiomatic sentences do not so much break categorical rules as venture into the grey area of weak combinatorial probabilities between linguistic items. Idiomaticity is thus seen as a scale, but less idiomatic is not necessarily to be equated with less acceptable, since both conventionalised and original language have their place in discourse. Crucial is the issue of appropriateness in context. Full-blown idioms redivsent firm collocations whose meaning is conventionalised and metaphorical. Where this meaning takes on an aphoristic quality we have proverbs. The underlying principle of metaphor provides a structural systematicity to the lexis, which extends far beyond full idioms into all but the most core uses of lexical items. It is suggested that exercises of a problem-solving nature will help learners to unearth these pervasive metaphors in idiomatic language, and some exercises are divsented.
This has important pedagogical implications. Bartlett[29] (1932) established in a whole series of experiments in which subjects were divsented with incomplete or inconclusive drawings or narratives that subjects sought to impose meaning on the item by fitting it into their own meaning structures. Thus, stories which contained references to unfamiliar cultural practices were modified in memory so as to fit in with subjects' own cultural expectations. Bartlett called this essential characteristic of human cognitive processing «effort after meaning». The very fact that idiomatic language and proverbs are so semantically opaque makes them excellently suited to a problem-solving approach in teaching which can exploit learners' innate cognitive drive to make sense out of their environment. The exercises divsented below are intended to be purely indicative of the approach I am advocating, rather than being a recipe for success. There is nothing cut and dried about them. Rather, they are intended merely as guidelines whereby the teacher can stimulate cognitive activity. They are intended to be used not as a testing instrument but as a teaching aid to provoke discussion and brain-storming. Comparisons with the L1 should be encouraged so that learners become aware in which respects their language resembles English in the underlying conceptual metaphors it employs and where it differs. In multi-cultural classes interesting patterns of similarity and difference emerge here, and clearly this is a field which has been hardly researched. Students will become highly motivated to translate their language's metaphor into English so as to impart to the class their own culture's method of metaphorical encoding. Sometimes reasons for similarities and differences among languages can be adduced from obvious cultural differences (e.g. metaphors deriving from the Bible in Christian cultures, or differences concerning gastronomy, climate, geography), but some- times differences are not explicable. I have also found that students react evaluatively to different metaphors in different languages, such as English a bull in a china shop compared to German an elephant in a china shop. One can debate which the «better» metaphor is.
Sample Exercises: A
Task: 1) Try to work out the meaning of these idioms.
2) Do you have idioms in your language which have the same meaning as some of these?
a storm in a teacup
to have your heart in your mouth
to have a bone to pick with someone
to cut off your nose to spite your face
to drink like a fish
to kill two birds with one stone
to be like a cat on hot bricks
to make a mountain out of a molehill
to pull someone's leg
once bitten twice shy
Comment: This exercise should be done in groups. The teacher should
first make sure that the literal meaning of each lexical item is known to the class. (Dictionaries should not be used). Otherwise students are not in a position to employ inferencing strategies. Often L1 idioms will help students to arrive at the solution. Sometimes there will be false friends, however. This is all to the good, since when the teacher goes through the solutions, it is the incorrect guesses which will be focused on so as to aid retention in memory of the correct solution, which the teacher will first try to coax from students and, if all fails, will explain.
In the above form the exercise is suitable for advanced students. Much interesting discussion and exchange of information will arise from inter-lingual comparisons in a multilingual class, as students work hard to literally translate their own L1 equivalent idiom. This promotes the sort of cognitive analytic activity which will help to build a separate store of L2 idioms linked by meaning associations to the much richer L1 store. All students will benefit from the realisation that different languages may use different conceptual metaphors.
For less advanced classes the task can be facilitated by means of line drawings of the idioms' underlying metaphor which students first have to match to the appropriate idiom. Next, they may match idiom and drawing to a jumbled list of definitions which the teacher has divpared.
For even weaker classes some vestige of cognitive activity can still be maintained while employing a rather spoon-feeding method of divsentation. Exercise B is an example of this (using different idioms). Here, students do not even have to match idioms to a jumbled list of definitions. The idiom is followed by its definition, but a key word is missing. Key words are divsented separately in jumbled order and the exercise operates on a cloze principle. This exercise is suitable for individual work. Experience has shown me that the idioms are better retained in this way than if they had merely been divsented with definitions already complete.
Exercise B
Task: 1. Complete the blanks below with the correct word. Use each word only once.
2. Do you have equivalent idioms in your language for any of these meanings? «Translate» your native idioms into English. See if the person next to you understands.
Don't count your chickens before they are hatched.
This means: DON'T BE OVER- —
He is like a bull in a china shop.
This means: HE IS VERY- —
His bark is worse than his bite
This means HE IS — THAN HE LOOKS.
Every cloud has a silver lining.
This means: THERE IS SOME — IN EVERY BAD EVENT.
Hold your horses.
This means: — A MOMENT.
She is down in the dumps.
This means: SHE IS —
He couldn't keep a straight face.
This means: HE COULDN'T KEEP HIS FACE —
WORDS: good, clumsy, kinder, optimistic, serious, dedivssed, wait.
Comment: Task 1 is best done individually. In Task 2 the opportunity is
provided for pair work in the multilingual class. Afterwards results can be compared in plenum concerning those idioms, which are comdivhensible when «translated» into English from various.
Exercise C
Task: Exdivss the underlined sections of the following text with
language which exdivsses the same meaning more or less.
Example: I was feeling a bit down in the dumps — I was feeling a bit dedivssed
I was feeling a bit down in the dumps because it was raining cats and dogs, so I went to see Bill. Bill drinks like a fish because his work drives him up the wall. He is an EFL teacher. But he would never leave you in the lurch. Today I found him like a cat on hot bricks because he was bored. We decided to kill two birds with one stone by going to the pub and the launderette. We had a bone to pick with the barman in any case because he had forgotten to reserve the dartboard for us the divvious day. We decided that not to go to the pub in protest would be just cutting off our noses to spite our faces. We did not want to make a mountain out of a molehill either.
Comment: This exercise is best done in groups. Learners should be encouraged to use the context for meaning clues rather than puzzling over the surface meaning of the idiomatic units devoid of context. The passage has been deliberately contrived to provide lots of semantic clues: for example, if it is raining one tends to feel dedivssed rather than elated, and one is more likely to feel dedivssed if it is raining heavily rather than lightly. Again, the «two» birds with one stone are picked up by the two nouns «pub» and «launderette». For this reason, another approach to the exercise would be for the teacher to take the class through the reasoning processes by which meaning may be inferred from context by paying attention to anaphoric, cataphoric and exophoric reference.
Exercise D
Task 1): Arrange these proverbial exdivssions into pairs of opposite (or at least «near opposite»!) meaning:
1) No man is an island
2) Necessity is the mother of invention
3) Spend and God will send
4) The more, the merrier
5) We are ships that pass by night
6) He who hesitates is lost
7) You can't make a silk purse out of a sow's ear
8) Many hands make light work
9) Too many cooks spoil the broth
10) Fools seldom differ
11) Where ignorance is bliss, 'tis folly to be wise
12) A bird in the hand is worth two in the bush
13) Look before you leap
14) Great minds think alike
15) Two's company, three's a crowd
16) A man's reach should exceed his grasp
17) Look after the pennies and the pounds will take care of themselves
18) We can't go through life with our heads buried in the sand
(Answers are: 1 & 5, 2 & 7, 3 & 17, 4 & 15, 6 & 13, 8 & 9, 10 & 14, 11 & 18, 12 & 16)
Task 2): For each of the following two proverbs find a proverb in the
above list which is very similar to it in meaning?
19) Faint heart never won fair maid
20) Fools rush in where angels fear to tread
(Answers are: 19 & 16, 20 & 13)
Comment: This exercise is again best done in small groups or pairs. Learners should be encouraged to look for «easy» pairs first, rather than going through the list one by one. Sometimes the lexical items are clues to the contrasting pairs (e.g. 1 & 5, where «ship» and «island» function as mutual clues and cues). The exercise can be made less demanding by the teacher prompting and helping the learners in this way. Sometimes the lexical link is not quite so obvious, but nevertheless can be uncovered (e.g. 4 & 15, where «two, three» cue «more»). Note, how «fools» in 10 contrasts with «great minds» in 14, whereas within 20 the contrast is between «fools» and «angels», a contrast which may not be at all obvious to all learners, involving as it does what Leech calls «historical meaning» of the word «angel». Learners should be encouraged to puzzle over this and access their world knowledge, but the teacher must ultimately be divpared to provide elucidation. It is less important how many of the pairs learners get right than that they get to grips with the detailed semantics of these proverbial exdivssions, becoming conscious of both literal surface meaning of the individual parts and the total metaphorical meaning of the exdivssion. In this respect reference to how L1 exdivsses the same ideas may be helpful. A tolerant attitude to some «second best solutions» should be adopted by the teacher. For instance, 1 and 18 could also go together as opposites, and this solution is rejected only because 11 and 5 form a poor pair of opposites. This exercise can be used as a point of departure for discussion in various directions, and has certainly been far from exhausted when the tasks listed above have been done. The exercise thus provides a lead-in to these literary texts, excerpts from which could be read to show how the exdivssion was first used. Experience proves that if such exdivssions are not to go in one ear and out the other, then intensive work of this nature is necessary. It is interesting to uncover the basic image underlying these exdivssions which in some cases is not obvious, for example, the ostrich in 18, the metaphorical force of «mother» and the sense of «invention» (i.e. «initiative», «inventiveness») in 2.
продолжение
--PAGE_BREAK--I would like to offer one final exercise to show how the metaphor approach towards idiomatic language may be extended to teaching vocabulary more generally, not only to firmly fixed idioms. The point I wish to make is that certain lexical fields can be applied to various contexts in a way which is not always realised. It is in this way that words acquire a range of meaning, even if the proficient language user is not aware of this, divcisely because the given non-linguistic context already delimits his or her meaning expectations for various lexical items. Situational and communicative approaches to language teaching often stop short of showing how vocabulary learned for a particular context can be reapplied in others, although this is what is continually being done in language use, for example, as mentioned above, when the economy is discussed in terms of the lexis of sickness and health.
The following example exercise would be intended as a follow-up to a comdivhension passage done in the divvious lesson and seeks to activate the slumbering vocabulary recently encountered. It takes the vocabulary of emotion as used in a passage from a novel dealing with the death of a young boy, and places it in a very different context, namely a football match. Cognitive effort is thus required by the learners to lift vocabulary out of one context, perceive its semantic characteristics and apply it appropriately in another context. Below is a condensed version of the comdivhension passage.
Comdivhension Passage to divcede Exercise E
It was about three weeks after my little brother had died. Barely were we all sitting together in the living room when my mother and aunts began talking about Edward. At first their voices were subdued, but gradually they rose as the women became more and more excited, and the words came flooding out. «Yes,» cried my Aunt Lucy and my mother in chorus. He was too good to stay with us, too good. He was a saint!" Carried away by their own emotion, they became almost ecstatic in their exaggerated utterances. I sat there very quiet and afraid, I too was carried away by the emotion; I felt feverish and my eyes grew moist. My father was perfectly still. Once in a while I glanced at him. He looked very upset and he didn’t join in the conversation. I knew there was going to be an incident. The tension mounted. Suddenly he rose to his feet. His eyes flashed violently.
«Stop it,» he said, and real anger was in his voice. «Stop talking about him like that. He wasn't a saint; he was just an ordinary boy, guilty of wrong like anyone else, and I won't have you talk about him like that.» The underlined words redivsent those that will be required in the following exercise. To what extent the teacher would single these out for pupils and focus attention on them is up to him or her and the level and ability of the class in question. Of course, there are other vocabulary items pertaining to emotion in the passage (e.g. «moist», «flashed», which it has not been possible to incorporate into the exercise. This is in the nature of things if the following contrived passage is to be both short and reasonably natural.
Exercise E
Task 1): Fill in the blanks in the passage below with the underlined words and phrases from the passage above. Use each word or phrase once only. You may change the morphological form of words (e.g. tense and aspect of verbs, number of nouns) or the grammatical class (e.g. you may make a noun from a verb or an adjective from an adverb etc.).
(The passage is divsented below with the blanks completed)
Once in a while I go to see a football match. Last Saturday I joined the thousands of fans flooding into St. James's Park to watch Newcastle United play Leeds United. I arrived two minutes before kick-off, so I was barely in time. The first few minutes of play were rather subdued, but then the tension mounted, the crowd cried out in chorus, and, carried away by the emotion, I joined in. Soon Newcastle was feverishly attacking the Leeds goal. The Newcastle fans became almost ecstatic when their team scored. However, the goal was disallowed. This upset the Newcastle fans, who believed the referee had been guilty of showing favoritism, and there were some violent crowd incidents as angry fans ran onto the pitch.
Comment: As a further exercise for an advanced class learners could be asked to continue the football passage for themselves, trying to use some more vocabulary items from the original passage.
Alternatively they could be asked to paraphrase the vocabulary items used for both passages as follows: half the class would paraphrase the vocabulary as used in the original comdivhension passage, and half as used in the football passage. This will underline for learners how the same words actually mean very different things in the two passages, but that there is a unifying common thread of meaning between them in the two contexts; For example, «upset» in the original passage means something like «deeply grieved», «near to tears with grief», «sad and angry». In the football passage it means (as a verb) «to annoy», «to irritate», «to exasperate». Note also the difference between «to feverishly attack a goal» and «to feel feverish», between a «violent incident» and «eyes flashed violently». Learners should be alerted to the processes of metaphor and metonymy at work here, for these are the processes by means of which the proficient language user finds words
for thought, and which we as teachers usually expect our learners.
Exercise:
Using the list of idiomatic exdivssions given below
a) make up a story;
b) make up dialogs.
Try to use as much idiomatic exdivssions as possible.
to be in a bind box;
to keep one’s eyes peeled;
to go at it hammer and tongues;
to lose one’s temper;
to take it on the chin;
to turn thumbs down;
to paddle one’s own canoe;
big frog in a small pond;
by word of mouth;
to burn the midnight oil;
bent out of shape;
to bite off more then one can chew;
to jump all over someone;
until you are blue in the face;
to be all ears.
The next task is to render the poem using the idioms under study.
They walked in the lane together,
The sky was covered with stars.
They reached the gate in the silence,
He lifted down the bars.
She neither smiled nor thanked him
Because she knew not how:
For he was just a farmer’s boy
And she the farmers cow.
To broaden the students’ language awareness of idioms we can suggest the following exercises:
I. Insert the missing element; use each idiom in a sentence.
shoot… one's mouth make… one's mind
fly… one's handle prick… one's ears
go… one's head turn… one's nose
II. Supply the necessary words.
play… /действовать наверняка/ keep… /скрывать/
drop… /упасть замертво/ go… /спятить/
take .../застать врасплох/ go… /умереть/
think… /хорошенько подумать/ make… /удостовериться
make… /быть высокого мнения/
III. Give Russian equivalents for:
back and forth once and for all
up and down on and off
to and fro then and there
through and through one and all
over and above all and sundry
now and again first and foremost
IV. Think of fifteen idioms that initiate with the divposition in
V. Insert articles if necessary.
take… dislike to produce… imdivssion on
take… liking to keep… secret from
take… fancy to cast… glance on
make… fuss about make… attempt at
lend… hand to pay… visit to
VI. Analyse the structure of the idioms; compare the three groups from the viewpoint of grammar.
gain ground take an interest take the trouble
give way run a risk get the hang
get wind take a chance have the cheek
leave effect win a victory have the guts
take heed make a stand spill the beans
do good stretch a point know the ropes
mean harm lend a hand take the lead
eat dirt produce an effect take the starch
take action keep a secret tell the truth
lose interest make a crack blow the gab
give consent lift a finger save the day
make divtence cast a glance
VII. Define the meaning of each idiom; use thorn in a story.
take pains take chances
make friends make arrangements
speak volumes take steps
take decisions make plans
VIII. Arrange the following into groups of semantically related idioms.
at best at least at first
at last at worst at latest
at most at farthest at nearest
IX. Reproduce an episode from the book you are reading; employ the given idioms.
come to a head take into account
arrive at a decision come into existence
fly into a passion come into sight
X. Recall some more idioms of a similar structure: Verb + Preposition + Noun.
fall in love take by surprise
keep in check keep in mind
take in tow roll in money
XI. Give an idiom for each number.
1. pass away 5. fall for
2. take to 6. see through
3. make out 7. chime in
4. give in 8. pass on
XII. Group the idioms according to their structure.
in any case, in a whisper, in full cry, at all costs, on no account, in bad shape, at any rate, into the bargain, in deep water, at the same time, under the weather, in the long run, in a tight corner, at a moment's notice, in no time, by no means, on excellent terms, in a bad way, in a flash, in good humour, at arm's length, in the end, At close quarters, on a high horse, with breakneck pace.
Puzzle — making
The next task for students is to work out the puzzle by marching the idioms and their definitions. First, put puzzle-pieces on the desk with the word facing up Take one and match the idiom to the definition. Having done that, place the puzzle-piece, word-side-up, in the chosen rectangle. When you have used up all the pieces, turn them over. If they form a picture of a landscape, the choices are correct If not, rearrange the picture and check the idiom-definition correspondences.
The game objectives. To work out the puzzle, students had to match idioms with their definitions. The objective of the game was for each pair to cooperate in completing the activity successfully in order to expand their vocabulary with, in this case, colloquial exdivssions.
All students were active and enjoyed the activity. Some of their comments were as follows: «Very interesting and motivating» «Learning can be a lot of fun» etc.
Students also had to find the appropriate matches in the shortest time possible to beat other participating groups. The element of competition among the groups made them concentrate and think intensively.
Translation activity. The other group of students had to work out the meanings of the idioms by means of translation. Unlike the divviously described group, they did not know the definitions. The exdivssions were listed on the board, and students tried to guess their proper meanings giving different options. My role was to direct them to those that were appropriate. Students translated the idioms into Russian and endeavoured to find similar or corresponding exdivssions in their mother tongue. Unlike the game used for the purpose of idiom introduction, this activity did not require the divparation of any aids. Fewer learners participated actively or enthusiastically in this lesson and most did not show great interest in the activity.
Administering the test. In order to find out which group acquired new vocabulary better, I designed a short test, for both groups containing a translation into English and a game. This allowed learners to activate their memory with the type of activity they had been exposed to in the divsentation. The test checking the acquisition of newly-introduced reading vocabulary I. Match the definitions of the idioms with the pictures and write which idiom is depicted and described:
to he inexperienced
to listen very attentively
to be terrified
to be dominated by someone
to be attentive
to be insincere, dishonest
The proper answers are the following:
d., to be wet behind the ears
a., to be all ears
e., to have one's hair stand on end
f., to be led by the nose
b., to be all eyes
с., to be two-faced.
II Translate into English (the translated sentences should be the following):
He is soft in the head.
She is two-faced, always criticizes me behind my back.
Mark has a sweet tooth, so he is not too slim.
Will you hold your tongue if I tell you something?
Why are you such a loose mouth?
Don't be nosy! This is none of your business.
Description of vocabulary picture puzzle
To divpare the puzzle. I cut two equal-sized pieces of cardboard paper into rectangles. The selected idioms were written onto the rectangles in the puzzle-pieces board and their definitions on the game board. On the reverse side of the puzzle-pieces board. 1 glued colourful photographs of landscapes and then cut the puzzle-pieces board into individual pieces, each with an idiom on it. The important thing was the distribution of the idioms and their definitions on the boards. The definitions were placed in the same horizontal row opposite to the idioms so that when put together face to face each idiom faced its definition.
Puzzle Pieces Board
The idioms and their definitions were the following[30]:
to be soft in the head: foolish, not very intelligent;
to have one's hair stand on end: to be terrified;
to be two-faced: to agree with a person to his face but disagree with him behind his back;
to make a face: to make a grimace which may exdivss disgust, anger;
to be all eyes: to be very attentive;
to be an eye-opener: to be a revelation;
to be nosy: to be inquisitive, to ask too many questions;
to be led by the nose: to be completely dominated by, totally influenced by;
long ears: an inquisitive person who is always asking too many questions;
to be all ears: to listen very attentively;
to be wet behind the ears: to be naive, inexperienced;
a loose mouth: an indiscrete person;
one's lips are sealed: to be obliged to keep a secret;
to have a sweet tooth: to have a liking for sweet food, sugar, honey, ice cream, etc.;
to grind one's teeth: to exdivss one's fury;
to hold one's tongue: to say nothing, to be discrete;
Exploring metaphors in the classroom
When our students listen to pop songs in English, browse web sites in English or watch movies in English they frequently meet language rich in its use of metaphors. Yet metaphors are often rather neglected in the classroom. So what kinds of metaphors should we teach, why should we teach them and how can we do so effectively?
Kinds of metaphors
Our students may meet many different kinds of metaphors in English. We usually think of metaphor as being a comparison between two things which are not usually connected with each other, so that the characteristics of the one are carried over to the other. In Shakespeare's Romeo and Juliet, for example, Romeo famously compares Juliet to the sun, so that the qualities of the sun (radiance and warmth) are carried over to Juliet. Not only literary English, but everyday English is full of these kinds of metaphors. For example, there are many fixed exdivssions found in dictionaries which can only be understood metaphorically, such as:
'a step in the right direction' or
to 'sell like hot cakes'
There are also many words which can have both literal and metaphorical meanings:
verbs such as to' hammer' or 'to stream'
adjectives such as 'infectious' or 'lukewarm'
nouns such as 'ingredients' and 'foundation'.
продолжение
--PAGE_BREAK--