Oates’ “Where Are You Going, Where Have You Been?”: Arnold Fiend Essay, Research Paper
Oates’ “Where Are You Going, Where Have You Been?”: Arnold Fiend
In Joyce Carol Oates’ ?Where Are You Going, Where Have You Been??
critics argue whether the character of Arnold Friend, clearly the story’s
antagonist, represents Satan in the story. Indeed, Arnold Friend is an
allegorical devil figure for the main reason that he tempts Connie, the
protagonist, into riding off with him in his car.
Oates characterizes Arnold Friend at first glance as ?a boy with shaggy,
black hair, in a convertible jalopy painted gold?(581). She lets the reader
know that Arnold is not a teenager when Connie begins to notice the features
such as the painted eyelashes, his shaggy hair which looked like a wig, and his
stuffed boots; these features led her to believe he was not a teenager, but in
fact, much older. Oates does make Arnold out to be a psychopathic stalker, but
never objectively states the diabolical nature to his character.
In ?Connie’s Tambourine Man?, a critical essay on the story, the authors
write about Arnold Friend: ?There are indeed diabolical shades to Arnold just as
Blake and Shelley could see Milton’s Satan a positive, attractive symbol of the
poet, the religious embodiment of creative energy, so we should also be
sensitive to Arnold’s multifaceted and creative nature?(Tierce and Crafton 608).
Mike Tierce and John Michael Crafton suggest that Arnold Friend is not a
diabolical figure, but instead a religious and cultural savior.
On a more realistic note, Joyce M. Wegs argues the symbolism of Arnold
Friend as a Satan figure when she writes: ?Arnold is far more a grotesque
portrait of a psychopathic killer masquerading as a teenager; he also has all
the traditional, sinister traits of that arch deceiver and source of grotesque
terror, the devil?(616). She also writes about how the author sets up the idea
of a religious, diabolical figure when she links popular music and its values as
Connie’s perverted version of a religion. Another hint is Arnold’s almost
supernatural, mysterious knowledge about Connie, her family and her friends(Wegs
617).
The main reason why the reader would extract this diabolical symbol from
reading the story is that Arnold’s character bears striking resemblance to
Satan’s. At the drive-in, Arnold is warning Connie of his coming when he wags
his finger at her and says ?Gonna get you, baby?(Oates 581). The majority of
the story is Arnold tempting Connie to leave the safe haven that is her home and
go for a ride with him in his car. The diabolical symbolism is most visible in
the following quote: ?I ain’t made plans for coming in that house where I don’t
belong, but just for you to come out to me, the way you should. Don’t you know
who I am??(Oates 589).
Having all the diabolical characteristics of Satan, and with his
relentless temptation of Connie, Arnold Friend most certainly represents a devil
figure in this short story.
Works Cited
Kiszner, Laurie G., and Stephen R. Mandell, eds. Literature: Reading, Reacting,
Writing. Fort Worth: Harcourt, 1997.
Oates, Joyce Carol “Where Are You Going, Where Have You Been?”…Kirszner and
Mandell, 579-591.
Wegs, Joyce M. “Don’t You Know Who I Am?”……Kirszner and Mandell 614-619.
Tierce, Michael and John Michael Crafton. “Connie’s Tambourine
Man”…..Kirszner and Mandell, 607-612.