Andrea Dworkin Essay Research Paper Andrea DworkinAndrea

Andrea Dworkin Essay, Research Paper

Andrea Dworkin

Andrea Dworkin has been an influential write, speaker, and activist for

over two decades. She claims to be a feminist, and that her ideas are

beneficial to women. This paper will show that many of her most popular beliefs

are not only detrimental to society, but also not in the best interests of women.

In letters from a war zone, Andrea Dworkin presents a collection of

speeches and short articles she has composed during her career as a writer and

activist. Many of her articles deal with censorship and pornography. One claim

is central to all of these, pornography is an act and not an idea, thus

censorship is not relevant to it.

In response to a New York Time Review of her 1981 book, Pornography: Men

Possessing Women, Dworkin writes, ?Pornography says the women want to be hurt,

forced, and abused; pornography says women want to be raped, battered, kidnapped,

maimed; pornography says women want to be humiliated, shamed, defamed,

pornography says that women say no but mean yes – Yes to violence, yes to pain.?

(Dworkin p 203)

In response to Dworkin’s fiery rhetoric, Wendy Mcelroy writes that

Dworkin has scientific backing and even cites evidence to the contrary. ?In

Japan, where pornography depicting violence is widely available, rape is much

lower per capita than in the United States, where violence in porn is

restricted.? Mcelroy attacks the belief that pornography cause violence,

stating that even if a correlation is present, is does not necessarily mean

there is a causal relationship. (McElroy 102)

Lynne Segal sees in inherent harm in trying to link the two together.

She believes that feminists who try to do so are wasting valuable time that

could be spent on other important issues. ?In the end, anti-pornography

campaigns, feminist or not, can only enlist today, as they have invariously

enlisted before, guilt and anxiety around sex, as well as lifetimes of confusion

in our personal experiences of sexual arousal and activity.? ?In contrast,

campaigns which get to the heart of men’s violence and sadism towards women must

enlist the widest possible resources to empower socially.? (Gibson 19)

Another argument of Dworkin’s is that pornography should not be

protected as free speech under the first amendment. It is her contention that

protecting what pornographers say, is protecting what pornography does.

Pornography is more than words. They are acts against women. ?Pornography

happens to women.? As a result, bans on such material are warranted, not only

because it is harmfully and discriminatory to women, but also because there are

no civil liberties that are violated in preventing an act. (Dworkin 185)

Since it is uncertain whether there is even a correlation between

violence against women and pornography, any attempt to ban it must be viewed as

censorship. What ever it is referred to, it still has the same effect.

In many of Dworkin’s writings, she laments the silencing of women. She

is partially responsible for this silencing. In 1992, The Canadian Supreme

Court ruled in favor of a legal restriction on pornography based on the

psychological damage it does women. ?Ironically, this obscenity law has been

used almost exclusively against gay, lesbian, and feminist material.? (McElroy

87)

The effect of censorship is absolutely detrimental the weaker voice, as

is the case with the Butler decision. Dworkin herself fell victim, when her

book, Pornography, was seized by Canadian customs officials. Censorship in

contradictory to feminist goals, because freedom of speech is the most powerful

weapon in the feminist arsenal. Medical journals used by medical students, and

the testimony of women victimized by sexual abuse are prime targets of

censorship. (Strossen 77)

An episode involving Dworkin and her cohort in censorship, Catherine

MacKinnon, demonstrates the dangers of censorship. At a symposium at A Michigan

law school, at which Dworkin and MacKinnon were speaking, a group of feminists

had prepared a series of documentaries of the topic of the conference,

prostitution. Dworkin refused to speak at the symposium if adversarial speakers

were there, so the documentaries were the only voice of opposition to them.

When work got out that the documentaries could possibly pornographic, Dworkin

and MacKinnon insisted on their removal. When the presenter refused, they

coerced the students with threats of leaving, to force the removed of the

documentary exhibit. What had started out as an academic symposium quickly

turned into a forum for the exclusive advocacy of Dworkin ideals. Her action

epitomized the danger of censorship to society and other feminists, she silenced

the weaker voice. (Strossen 211-214)

Dworkin’s opinions on pornography are summed up nicely by Wendy McElroy;

Pornography is morally wrong; Pornography leads directly to violence against

women; Pornography, in and of itself, is violence against women. Five

individual allegation are made based of the third point; Women are physically

coerced into pornography; Women in porn who have not been coerced have been so

traumatized by patriarchy that the cannot give real consent; Capitalism is a

system of ?economic coercion’ that forces women into pornography in order to

make a living; Pornography is violence against women who consume it, and

thereby re-enforcing their own oppression; Pornography is violence against

women, as a class, who must live in fear because of the atmosphere of terror it

creates. (Mcelroy 91)

The first three allegations deal with coercion. The first claim is

based on a few isolated cases and should not be used to characterize the entire

industry. The second allegation is not only arrogant, but degrades women

because it undermines a woman’s ability to choose. ?If women’s choices are

being trashed, why should radical feminists (i.e. Dworkin) fare better than

other women?? This sends a dangerous message that woman lack full capacity to

make choices. The third allegation fails in a similar manor as the second.

Dworkin draws no line between consent and coercion, and thus she rejects a

woman’s right to contract. (McElroy 92-95)

The fourth and fifth claim of Dworkin’s are also in contradiction with

women’s best interests. The fourth claim completely ignores the possibility

that women might actually enjoy pornography without falling victim to it.

Allowing women access to a means of sexual expression with actual sex grants

them increased sexual freedom. The final allegation is based on the notion that,

?Women are not individuals, but members of a class with collective interests.?

In making this claim, Dworkin must destroy the notion of individuality, and

condition unsuitable for not only women, but all humanity. (McElroy 96)

Another criticism of Dworkin, is that many of her arguments contain

logical inconsistencies or outright contradictions. For one thing, Dworkin

wants to validate the experience of women who have be silenced by patriarchy yet

refuses to accept the voices of women who participate in pornography. Dworkin

also believes that pornography is the bastion of patriarchy, yet conservatives,

tradition champion of patriarchy, also crusade against pornography. (McElroy

98)

In one of writings of cesarean sections, Dworkin make staunch, graphic,

remarks about the topic. It is laced with information about conspiracies and

loaded with vulgarity. Such extreme language may work against the interests of

women, because even though a problem might exist, it might be written of by

readers due to Dworkin’s ?hyperbolic harangue.’ (Strossen 196)

In general, Dworkin’s writings while claiming to be feminist, are often

in direct conflict with mainstream feminist agenda. Many of her views portray

women as helpless victim incapable of rational thinking. In her support of

censorship, she is also met be harsh resistance from prominent women’s groups

such as N.O.W.. Many of her view are seen as harmful to the cause of women’s

equality, and in this regard are more dangerous then anti-women’s factions,

because it is written under the banner of feminism. (Gibson 118)

Andrea Dworkin’s influence has created an environment where free speech

and equality are compromised. Though she claims it to be in the best interest

of society, this just is not true. Most feminists reject her ideas as

counterproductive to their goals. Her writing are not only detrimental to women,

however, everyone is affected. By advocating censorship, she undermines every

principle that this country was founded on and every ideal that keeps it unified

and free from oppression. Ironically, Dworkin seeks freedom from oppression for

women, but in doing so advocates universal oppression for all people, women and

men.

Works Cited

1. Dworkin, Andrea Letters from a War Zone. Lawrence Hill 1993.

2. McElroy, Wendy A Woman’s Right To Pornography St. Martin Press 1995

3. Gibson, Pamela Church and Gibson, Roma Dirty Looks British Film Institute 1993

4. Strossen, Nadine Defending Pornography Doubleday 1995