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When Sinclair Lewis wrote Babbitt, he
succeeded in creating a caricature of success typifying the mind-set of
the twenties. The “big booster” filled with “vim and vigor,” Babbitt is
a character without a real soul. He gleans his opinions from newspapers
or from business peers. Even Babbitt’s extra-marital affair is a “standard
deviation.”
Lewis attempts to indict these “standard”
symbols of American prosperity – popularity, hidden pleasures, money, shiny
cars, and self-obsession – by citing the weaknesses of both radical and
conservative viewpoints. George is truly discontent in both settings. While
Babbitt has been criticized for its lack of character depth, it seems that
it would have been impossible to make Babbitt profound. The satirical essence
of the novel requires that George be shallow and complacently mediocre.
Lewis does provide some hope symbolized by Ted, who does exactly what his
father would have liked to have done. However, perhaps Babbitt’s reaction
to his son’s elopement suggests that there is still something more to him
than a cardboard front. Ted’s question to his father at novel’s end divulges
the true message of Babbitt: “Gosh, dad, are you really going to be human?”
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