Dada
A western Europe artistic and literary movement
(1916-23) that sought the discovery of authentic reality through the abolition
of traditional culture and aesthetic forms.
Pour
introduire l'idée de folie passagère en mal de scandale et de
publicité d'un isme nouveau si banal, avec le manque de sérieux
inné à ces sortes de manifestations, les journalistes
nommèrent Dadaïsme ce que l'intensité d'un art nouveau leur
rendit impossible compréhension et puissance de s'élever à
l'abstraction, la magie d'une parole (DADA), les ayant mis, (par sa
simplicité de ne rien signifier) devant la porte d'un monde
présent, vraiment trop forte éruption pour leur habitude de se tirer
facilement d'affaire.
--
Note au Manifeste DADA, 1918, in DADA, Réimpression..., p.
54.
Dada
(French: "hobby-horse"), nihilistic movement in the arts that
flourished primarily in Zürich, New York City, Berlin, Cologne, Paris, and
Hannover, Ger. in the early 20th century. Several explanations have been given
by various members of the movement as to how it received its name. According to
the most widely accepted account, the name was adopted at Hugo Ball's Cabaret
(Café) Voltaire, in Zürich, during one of the meetings held in 1916
by a group of young artists and war resisters that included Jean Arp, Richard
Hülsenbeck, Tristan Tzara, Marcel Janco, and Emmy Hennings; when a paper
knife inserted into a French-German dictionary pointed to the word dada, this
word was seized upon by the group as appropriate for their anti-aesthetic
creations and protest activities, which were engendered by disgust for
bourgeois values and despair over World War I. A precursor of what was to be
called the Dada movement, and ultimately its leading member, was Marcel
Duchamp, who in 1913 created his first ready-made (now lost), the "Bicycle
Wheel," consisting of a wheel mounted on the seat of a stool.
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